Pan’s Labyrinth (2006, Directed by Guillermo Del Toro) Spanish Great Film

Starring Ivana Baquero, Sergi López, Ariadna Gil, Maribel Verdú, Álex Angulo, Doug Jones

(Great Film)

While we (I’m American) were in the grips of World War II, Spain suffered a civil war and lasting strife for years to come. It’s a period I know very little about and a period the young heroine of Pan’s Labyrinth, Ofelia (Baquero), occupies. It’s the summer of 1944 and Ofelia arrives with her pregnant mother to the home of Captain Vidal (López), her new step-father. The fascist Captain Vidal wastes no time in revealing himself to be a deranged bully as he hunts down local rebels, but Ofelia finds escape and adventure away from this terror, a place where fairies and monsters live, a place that offers her a chance at immortality should she prove herself in a trio of frightening tasks. Pan’s Labyrinth is universally beloved, a dark fantasy that can resonate with any viewer. It’s vision of evil is as stark as any I’ve seen- Captain Vidal is a relentless sadist- and Ofelia is pure innocence. It’s the perfect culmination of its director, Guillermo Del Toro’s, talent with its incredible creatures, grotesque imagery, affection for characters who are outsiders, and stomach-turning violence.

-Walter Tyrone Howard-

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Kubo and the Two Strings (2016, Directed by Travis Knight) English Great Film

Voices of Charlize Theron, Matthew McConaughey, Art Parkinson, Ralph Fiennes, Rooney Mara, George Takei, Brenda Vaccaro, Cary-Hiroyuki Tagawa

(Great Film)

In ancient Japan, with his father dead and his mother sick, young Kubo (Parkinson) is left to fend for himself, relying on his storytelling and musical abilities to fetch a day’s bread. Disregarding his mother’s warning about staying out past dusk, Kubo is soon chased out of his quaint existence by his wrathful, god-like grandfather and aunts. With only a hard-willed snow monkey (Theron) and later a cursed beetle-like warrior (McConaughey) to protect him, Kubo sets out to find his late father’s armor and confront his grandfather. Quibbles about its largely white-washed cast aside, Kubo and the Two Strings is a wonderful film. Its production company, Laika, have made a handful of features, very good films, but to date, this is their most exceptional achievement. A marriage of awesome visuals with a story that’s bold and mysterious. The cherishing of memories and time spent with parents is obviously at the heart of Kubo, but there seems to be a depth beyond that that’s slightly obscure. It gives the film a mystique that I find dazzling.

-Walter Tyrone Howard-

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