Starring Bella Lugosi, Vampira, Gregory Walcott, Duke Moore, Tom Keene, Paul Marco, Tor Johnson
A U.F.O, grave robbing aliens that look like humans, and zombies that look like vampires fill the scattered narrative of Ed Wood’s infamous film, but basically it’s about evil invaders from a more advanced planet who want to wipe out humanity. Besides being amateurish and inept in several aspects of filmmaking, Plan 9 is also awfully hard to follow. There’s no discernible character development, introduction, or suspense to speak of, and only towards the end do we get a sense of character motivation. Ed Wood was just as woeful at script writing as he was at directing. Incompetent. Silly. Confusing.
Starring Christine Ebersole, Jonathan Ward, Martin West, Danny Cooksey, Jade Calegory, Lauren Stanley
A young alien, given the nickname Mac (mysterious alien creature), crash lands on Earth, separated from his family. Discovered and befriended by brothers Eric (bound to a wheelchair) and Michael, Mac looks to reconnect with his family. If this premise sounds awfully similar to E.T: Extra-Terrestrial, it’s because Mac and Me is a blatant rip-off of that classic, released just six years prior. Add to that, Mac and Me is a lousy rip-off, devoid of any imagination, and damned by poor design for the central alien figure. There are two especially bad scenes: one where Eric loses control of his wheelchair and falls off the side of the cliff, and another set in McDonalds, where everyone begins a choreographed dance number. The latter is mind-blowingly bad. Baffling, really, and not the only embarrassing moment of product placement. The former is unintentionally hilarious. Surprisingly, the acting is professional, keeping Mac and Me out of the seventh circle of movie hell where The Room and Troll 2 live. Third-rate. Shoddy. Laughable.
Starring Tobey Maguire, Kirsten Dunst, James Franco, Alfred Molina, J.K Simmons, Donna Murphy, Rosemary Harris
“A hundred cares, a tithe of troubles and is there one who understands me?” The first two Spider-Man films centered around Peter Parker’s burden. The idea that he has to sacrifice his personal desires in order to fulfill his duty as Spider-Man. In Spider-Man 2, everything’s a mess in Parker’s world. He (Maguire) loves M.J (Dunst), but feels that he can’t be with her without putting her life in danger, and spends most of the movie disappointing her in some way or other, as she settles for another man she doesn’t love. Parker’s best friend, Harry (Franco) wants Spider-Man dead for killing his father in the first film. On top of that, Parker can’t pay his rent. Director Sam Raimi gave the character compelling problems, and a sense of humor that didn’t take away from the drama. Actually, this film is largely a melodrama with misunderstandings, unrequited love, twists. Doctor Oc is the main villain in this picture, and there’s a fantastic scene of him and his robotic attachments Wreaking havoc in a hospital wing (a memorable homage to classic monster movies, I feel). The film starts out with one great scene after the other, and by the end, I was happy to find, that Sam Raimi’s Spider-Man 2 remains one of the really good super hero movies. Engaging. Inspired. Fun.
Starring Val Kilmer, Gabriel Jarret, Michelle Meyrink, William Atherton, Jon Gries, Robert Prescott
15-year-old genius, Mitch (Jarret), gets accepted into a prestigious private university where a devious professor, Jerry Hathaway (Atherton), uses his students to develop a top secret weapon for him. While there, Mitch falls in with the brilliant but underachieving Chris (Kilmer), who shows the young prodigy how to have fun. Entertaining, Real Genius appeals more as a college dormitory movie rather than as a serious science fiction film. Led by Val Kilmer’s quick-witted prankster, the characters of Real Genius are quirky and original.
Starring Dennis Quaid, Martin Short, Meg Ryan, Kevin McCarthy, Robert Picardo
A hotshot marine officer, Lt. Tuck Pendleton (Quaid) is miniaturized for a government science experiment where he’s to be placed inside the body of a test rabbit, but, due to an attempt from rogue agents looking to steal the work, gets placed inside the body of a hypochondriac named Jack (Short) instead. Jack and Tuck team up to return the latter to his normal size, as well as keep him out of the hands of mercenaries. Along the way, Jack becomes smitten with Tuck’s girlfriend, a reporter named Lydia (Ryan). Goofy, fast-paced with some excellently performed gags and stunts, Innerspace is more about the individual scenes than the picture itself. Promoted as a “what if” type picture wherein a Dean Martin type gets put inside the body and the head of a Jerry Lewis. They might have done well to push that idea further, but as it stands, Innerspace is a fine adventure.
Starring Paul Rudd, Evangeline Lilly, Walton Goggins, Michael Douglas, Michelle Pfeiffer, Randall Park, Laurence Fishburne, Michael Peña, Judy Greer, T.I, Bobby Cannavale, Hannah John-Kamen
Scott Lang (Rudd) seems to have burnt his bridges with Hank Pym (Douglas) and Hope (Lilly) after going rogue with Captain America back in Civil War (2016). On top of that, he was sentenced to two years house arrest. As he closes in on his release date, Hank and Hope see a chance to rescue, Janet (Pfeiffer), the former’s wife and the latter’s mother, from the quantum realm she was lost to decades ago. Unfortunately for everyone, Scott appears to be the key, forcing a reunion and putting Scott in danger with his parole officer. Meanwhile, an enigmatic figure known as Ghost materializes at every turn. Fun film and a 180 from the heavy, substantial Avengers: Infinity War. Ant-Man and the Wasp is slightly better than the first one. Often funny, with some cool ideas involving shrinking and growing. It does, however, feel like a modest entry in a series of films that all run through the same machine in my opinion. The end result is always nice, but never extraordinary. Add to that, Ant-man, or, more specifically, Scott Lang, is a second-tier hero, largely dependent on Hank Pym.
Starring Chris Pratt, Bryce Dallas Howard, Rafe Spall, Justice Smith, Daniella Pineda, James Cromwell, Geraldine Chaplin, Toby Jones, Ted Levine, Jeff Goldblum
The fifth entry in the Jurassic Park franchise, and second film in the reboot trilogy, sees Owen Grady (Pratt) and Claire Dearing (Howard) returning to the shut down theme park in order to save the remaining dinosaurs from an impending volcanic eruption. Of course, there are other people involved who turn out to have ulterior motives, and dinosaur chaos is unleashed once again, this time primarily on the affluent estate of patron Sir Benjamin Lockwood (Cromwell). This far into the franchise, you wonder if it’s fatigue or simply a sub-par entry, but this was an underwhelming experience. Despite some impressive camerawork, including a scene with two characters stuck in a pod while water fills in, at no point does this film provide any legitimate thrills. We’ve been down this rode before. It’s time for the franchise to veer. On top of that, the pacing seemed awfully fast, especially in the beginning.