The Adventures of Don Juan (1948, Directed by Vincent Sherman) English 7

Starring Errol Flynn, Viveca Lindfors, Robert Douglas, Alan Hale, Romney Brent, Ann Rutherford, Robert Warwick, Una O’Connor, Raymond Burr

the adventures of don juan 1948 이미지 검색결과

(7-Very Good Film)

Festive. Handsome. Fun.

Don Juan: My dear friend, there’s a little bit of Don Juan in every man, and since I am Don Juan, there must be more of it in me!

Don Juan. The man. The myth. The legendary lady-killer. Apparently, not far off from star, Errol Flynn’s own reputation. The perfect marriage between star and role. Flynn’s Don Juan passes from town to town, accompanied by his loyal servant, Leporello (played by Flynn’s loyal real-life friend, Hale), fleeing cuckolded husbands and alternating between trying to live down or live up to his reputation. Eventually, he meets the queen, Margaret of Austria (Lindfors). Falling for her, he fights to protect her from conspirators and enemies of Spain. Not as exciting or memorable as Flynn’s best (Captain Blood, Robin Hood, The Sea Hawk), The Adventures of Don Juan is, however, a fun, romantic romp made with an abundance of skill and money.

-Walter Tyrone Howard-

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Ninotchka (1939, Directed by Ernst Lubitsch) English 9

Starring Greta Garbo, Melvyn Douglas, Ina Claire, Sig Ruman, Felix Bressart, Bela Lugosi, Alexander Granach

Ninotchka | Best Movies of All Time | TIME.com

(9-Great Film)

Romantic. Sly. Iconic.

Ninotchka: Must you flirt?

Leon: Well, I don’t have to, but I find it natural.

Ninotchka: Suppress it.

Three amiable, easily manipulated Soviet agents arrive in Paris during the days following the Russian Revolution. Sent to sell valuable jewelry confiscated from the ousted nobility, they’re quickly thwarted by a wily lawyer, Leon (Douglas). The trio are then sent help in the form of Nina Ivanovna Yakushova, or Ninotchka (Garbo), a tough-as-nails, Soviet patriot to help fight the case. Not nearly as impressed by Paris as her comrades, it’s meeting Leon and falling for him that slowly causes some of the ice to thaw. Ninotchka is my favorite Garbo picture. It’s one of those classic Hollywood films that bring me great joy to watch. Romantic and funny as romantic-comedies naturally should be but rarely are, it’s also a rather clever and early satire on the bleak state of Soviet Russia.

-Walter Tyrone Howard-

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It Happened on 5th Avenue (1947, Directed by Roy Del Ruth) English 8

Starring Victor Moore, Charlie Ruggles, Don Defore, Ann Harding, Gale Storm, Edward Brophy, Alan Hale Jr.

Top Holiday Picks: It Happened on 5th Avenue

(8-Exceptional Film)

Wonderful. Charming. Classic.

Aloysius T. McKeever: And I would like to feel that you’re all my friends. For to be without friends is a serious form of poverty.

Wise words from Mr. McKeever (Moore), a wanton leech and scoundrel. He wanders through life, sneaking in and out of mansions while their owners are away on vacation. This Christmas season, he’s staying in the home of Michael J. O’Conner (Ruggles), the second richest man on Earth. Gradually, other people join Mr. McKeever in the house: principled Jim Bullock (Defore), O’Connor’s daughter, Trudy (Storm), who’s fallen for Jim, Mr. O’Connor himself, as a favor to his daughter, and Mary (Harding), O’Connor’s estranged wife. This is a really wonderful movie that takes its zany, promising setup in a number of surprising directions. Victor Moore is called on to be both comedic scoundrel and Christmas angel all at once. He achieves this effortlessly. Though light on actual Christmas content, It Happened on 5th Avenue is still regularly described as a Christmas classic. Really, it’s a comedy for all seasons.

-Walter Tyrone Howard-

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Let the Right One In (2008, Directed by Tomas Alfredson) Swedish 7

Starring Kåre Hedebrant, Lina Leandersson, Per Ragnar, Henrik Dahl, Peter Carlberg, Ika Nord, Mikael Rahm

Review: Let the Right One In

(7-Very Good Film)

Striking. Thoughtful. Memorable.

Eli: I’m twelve. But I’ve been twelve for a long time.

Any feelings I have about Let the Right One In are inevitably affected by my love for its American remake, Let Me In. In truth, I prefer Let Me In. It’s more polished, more tense, and better acted. Let Me In’s decision to “make the story more accessible,” as they put it (sounds horrible), I would describe as simplifying or chiseling it down to perfection. This has been one of my more unpopular opinions over the years and a good topic for debate, but I will focus the rest of this review solely on the film at hand, and it is a very good film, obviously laying the foundation for its successor which I consider a great film. A beautifully dark fantasy, Oskar is a bullied 12-year-old (the movie is set in the ’80s and you remember how intense ’80s bullying was, at least in movies) just trying to make his way in life when he meets and befriends Eli, a vampire, eternally 12-years-old. So starts easily one of the strangest relationships in film history, at times, romantic, sweet, sinister, twisted, what-have-you. Watching its course is mesmerizing and Let the Right One In is often a beautiful film. Nitpicking, maybe, or perhaps just a consequence of seeing the film long after its initial release, the effects, while still effective, are unpolished at many points in the film. It obscures some of Let the Right One In’s beauty.

-Walter Tyrone Howard-

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Love Crazy (1941, Directed by Jack Conway) English 7

Starring William Powell, Myrna Loy, Jack Carson, Gail Patrick, Florence Bates, Sig Ruman, Sidney Blackmer, Vladimir Sokoloff, Elisha Cook Jr.

Love Crazy 1941 - Myrna Loy, William Powell, Gail Patrick, Jack Carson,  Florence Bates

(7-Very Good Film)

Funny. Madcap. Witty.

Steve: She’s married now – got a husband.

Susan Ireland: Yeah? Whose husband has she got?

Steve (Powell) and Susan (Loy) Ireland celebrate their 5th wedding anniversary in their upscale, big-city apartment. Interrupted and sent on an errand by Susan’s overbearing mother (Bates), their private party gets further delayed when Steve bumps into his old flame, Isobel (Patrick), on the way home. Part of the small sub-genre I recently discovered of “remarriage comedies,” Susan later decides to divorce Steve after finding out about him spending an evening alone with Isobel in her apartment. From a pretty simple premise, Love Crazy splinters into one of the wildest of screwball comedies. Plenty of physical comedy (which is the most surprising for me, not accustomed to seeing Powell giving that kind of performance) and plenty of wit too. It’s not much of a romance as the principal players already love each other, but at its center is the iconic chemistry between Powell and Loy who evidently made 14 films together.

-Walter Tyrone Howard-

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The Philadelphia Story (1940, Directed by George Cukor) English 6

Starring Cary Grant, Katherine Hepburn, James Stewart, Virginia Weidler, Ruth Hussey, John Howard, Roland Young, Mary Nash, John Halliday

The Philadelphia Story' returns to local theaters | TBR News Media

(6-Good Film)

Intelligent. Witty. Affected.

Dexter: Sometimes, for your own sake, Red, I think you should’ve stuck to me longer.

I adore old Hollywood films. One of my true passions, I love the stars, I love the first-rate character actors, the production values, and the stories they tell, but I’ve never loved The Philadelphia Story, though it’s considered one of old Hollywood’s best. I come back to it often, expecting some change; a revelation perhaps. My feelings remain unchanged. Starring Cary Grant, James Stewart, and Katherine Hepburn (my goodness, the star power) as Dexter Haven, Macauley Connor, and Tracy Lord, respectively, The Philadelphia Story sees the three tangled up in a love triangle on the eve of Tracy’s wedding to earnest but stiff George Kittredge (Howard). Dexter is her ex-husband who’s not ready to let go and Macauley (Mike) is a cynical reporter not thrilled with his new frothy assignment of covering a wedding. Adapted from the stage, the film has a pretty conspicuous stagey manner- long, eloquent monologues, affected dialogue-but my problem isn’t with the apparent staginess, it’s with the characters. The dialogue, realism be damned, is sparkling, but I realized this time around that though I love these stars, I don’t even like these characters; especially during the first half. Tracy is prim, Dexter is scheming, Mike is misanthropic, the uncle is a lecher, the dad’s a cad, and the mom’s an airhead. They do breakthrough to a nice ending but too much of the film is bogged down in their deficiencies to bring me any real joy as most classics do.

-Walter Tyrone Howard-

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The Fly (1986, Directed by David Cronenberg) English 9

Starring Jeff Goldblum, Geena Davis, John Getz, Leslie Carlson, Joy Boushel, George Chuvalo, David Cronenberg

The Fly's Deleted “Monkey-Cat” Scene Was Too Brutal

(9-Great Film)

Mesmerizing. Grotesque. Effective.

Ronnie: Be afraid. Be very afraid.

Seth Brundle (Goldblum) is quite possibly a genius. When the beautiful journalist, Ronnie (Davis), goes out with him one night, she stumbles upon his plan to create human teleportation. The two fall in love, and all seems well, but, in that grand H.G Wells tradition, Brundle’s experiment goes wrong and the result is his body’s slow decay and transformation into some kind of human-fly. Hard to watch at times, but harder to stop watching, The Fly is so beautifully disgusting. Goldblum and Davis have excellent chemistry and much of the first half plays out like a charming romantic-comedy. The second half, though, is pure horror mixed with tragedy. Whether you see Brundle’s downfall as symbolic of a cancer or another example of a brilliant scientist going too far and paying the price, The Fly is infinitely, grotesquely entertaining.

-Walter Tyrone Howard-

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There’s Something About Mary (1998, Directed by Peter and Bobby Farrelly) English 9

Starring Ben Stiller, Cameron Diaz, Matt Dillon, Lee Evans, Chris Elliot, Jeffrey Tambor, Lin Shaye, Keith David, Sarah Silverman, Richard Jenkins, Harland Williams, W. Earl Brown

There's Something About Mary' Turns 20 Today - LADbible

(9-Great Film)

Crude. Endearing. Influential.

Ted: You said she was a real sparkplug.

Pat Healy: No, I said buttplug. She’s heinous.

Crude and charming would seem an unlikely pair, but the Farrelly brothers, early on in their careers, made a trio of such films: Dumb and Dumber, Kingpin, and There’s Something About Mary. These comedies were inspired, fresh, and, most importantly, funny, with There’s Something About Mary being the best of the bunch. Ben Stiller plays sweet and mostly innocent dork, Ted, still pining after his high school crush, Mary (Diaz), over a decade later. One can see why. She’s beautiful, fun, easy-going, and loves football; the dream-girl, in other words. Unfortunately, she’s like a magnet for deadbeats, including the private eye Ted hires to help him, Pat Healy (Dillon), who instead uses his intel to shoot his own shot with her. Several memorably funny scenes stand out, but the Farrelly’s demonstrate a talent for lightness in between the big laughs that give the film its heart and make it more than just an absurd laugh riot. The singing narrator, for instance, modeled after Nat King Cole and Stubby Kaye from Cat Ballou, was a nice touch.

-Walter Tyrone Howard-

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Arabesque (1966, Directed by Stanley Donen) English 6

Starring Gregory Peck, Sophia Loren, Alan Badel, Carl Duering, Kieron Moore, John Merivale, Duncan Lamont

Film - Arabesque - Into Film

(6-Good Film)

Entertaining. Vibrant. Superficial.

David Pollock: Let us through! That man’s about to be killed!

Policeman: I hardly think so, sir. This is England!

Written with Cary Grant in mind to star, Stanley Donen (the director), himself, admitted to the script not being very good, “Our only hope is to make it so visually exciting the audience will never have time to work out what the hell is going on.” I think his comments are spot on and I guess, with that in mind, he succeeded. Arabesque, off the heels of Donen’s Charade (which had a phenomenal script), is convoluted rather than clever, exciting rather than romantic. As far as I could work out, Peck plays a professor, David Pollock, asked to spy on a nefarious middle-eastern tycoon, Nejim Beshraavi (Badel), who wants him to crack a code. David gets tangled up with Beshraavi’s mistress, Yasmin (Loren), who is hard to trust but even harder to ignore. Arabesque is solid light entertainment but far from essential.

-Walter Tyrone Howard-

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The Major and the Minor (1942, Directed by Billy Wilder) English 7

Starring Ginger Rogers, Ray Milland, Diana Lynn, Rita Johnson, Lela E. Rogers, Edward Fielding, Robert Benchley

The Major and the Minor (1942)

(7-Very Good Film)

Awkward. Nifty. Fun.

Mr. Osborne: Why don’t you get out of that wet coat and into a dry martini?

I’m not sure if things were less sordid then or if sordid things were just less exposed, but a film like this could never work today. I don’t think it’s any deep cynicism on my part that passages of The Major and the Minor are slightly uncomfortable and awkward viewed in today’s day and age. Ginger Rogers plays a disgruntled New York working girl packing it in and heading back to small-town Iowa. Unable to afford standard train fare, she poses as a 12-year-old to get the discounted rate, which leads to one mess after another. Eventually, she stays with Major Philip Kirby (Milland) at his military academy for young boys, and the two fall for one another…even though he thinks she’s a child for most of the movie. Taken too seriously, I suppose, the film is kind of creepy, but with a little effort, it’s not hard to enjoy this, Billy Wilder’s first time directing an American film. This isn’t the real world put on the screen. It’s a screwball comedy and everybody’s a little crazy, but mostly harmless. On its terms, The Major and the Minor is a wonderfully entertaining film.

-Walter Tyrone Howard-

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