Midnight (1939, Directed by Mitchell Leisen) English 8

Starring Claudette Colbert, Don Ameche, John Barrymore, Mary Astor, Francis Lederer, Rex O’Malley, Monty Wooley

Matinée Moustache — deforest: Claudette Colbert in Midnight (1939)

(8-Exceptional Film)

Surprising. Witty. Charming.

Eve Peabody: [at the ball] Don’t forget, every Cinderella has her midnight.

Most films that I consider charming aren’t as jaded and sarcastic as Midnight, an underrated classic that for years has been difficult to find. Written by two giants of scriptwriting, Billy Wilder and Charles Brackett, Midnight is a clever spin on the Cinderella fantasy. Claudette Colbert plays Eve Peabody, a beautiful but penniless American in Paris, scrounging for a job. She meets Tibor Czerny (Ameche), a handsome cab driver who’s instantly smitten with her, but she runs off in the middle of their night together, leaving little clue as to who she is or where he can find her. While he searches the city, she helps her newfound fairy godmother, millionaire Georges Flammarion (Barrymore), get rid of a playboy hitting on his wife. Wonderful dialogue and zany, unpredictable scenarios throughout make Midnight a fantastic romantic comedy and Colbert, Ameche, and Barrymore are terrific stars.

-Walter Tyrone Howard-

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The Big Lebowski (1998, Directed by Joel and Ethan Coen) English 9

Starring Jeff Bridges, John Goodman, Steve Buscemi, Philip Seymour Hoffman, Julianne Moore, Tara Reid, David Huddleston, David Thewlis, Sam Elliot, John Turturro, Ben Gazzara, Peter Stormare, Jon Polito, Dom Irrera

Film Forum · Joel and Ethan Coen'sTHE BIG LEBOWSKI

(9-Great Film)

Funny. Eccentric. Original.

The Dude: [repeated line by The Dude and others] That rug really tied the room together.

Jeff Lebowski (Bridges), or “The Dude,” would seem to be the last person to get involved in an elaborate kidnapping plot. He doesn’t do much with his life but bowl, smoke weed, and drink White Russians. That is, until a couple of thugs soil his rug, mistaking him for another Lebowski, forcing The Dude to seek reimbursement and involving him with a lot of characters that use to populate Raymond Chandler novels. I love those Raymond Chandler novels and would like to see the Coen Bros. adapt one outright. That’s unlikely to happen, but The Big Lebowski, as offbeat as it is, still satisfies as a crime flick while working on so many other levels that its become a cult classic. Wildly original storytelling and characters with dozens of quotable lines.

-Walter Tyrone Howard-

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White Men Can’t Jump (1992, Directed by Ron Shelton) English 6

Starring Woody Harrelson, Wesley Snipes, Rosie Perez, Tyra Ferrell, Kadeem Hardison, Marques Johnson, Freeman Williams, Duane Martin

Pictures & Photos from White Men Can't Jump (1992) | Iconic movies, Tv show  couples, White man

(6-Good Film)

Fast. Fresh. Memorable.

Sidney Deane: [before winning a bet with him] Billy, listen to me. White men can’t jump.

White men can’t jump. Can clichés be iconic? The spirit of the film, the originality of its characters, and its cleverness went a long way to popularizing the myth that all white men aren’t athletic. It stars Woody Harrelson as a basketball hustler, Billy Hoyle, who doesn’t know how to walk away from a bet, much like Paul Newman’s Eddie Felson. Unlike Eddie, however, who always looked smooth and competent, Billy looks like a fool, and besides that, he’s white, so when he shows up to courts in southcentral L.A, the locals assume he can’t play. One of these locals, hardworking Sydney Deane (Snipes), sees the potential in Billy’s hustle and decides to team up with him. Rosie Perez plays Billy’s supportive but exhausted wife, Gloria, always studying for a chance on Jeopardy. White Men Can’t Jump isn’t a great movie in my estimation (despite being a favorite of Stanley Kubrick of all things). It’s not realistic enough for serious social commentary, it’s not a satire, and it’s not hilarious. I would also argue that basketball is one of the least compelling sports cinematically and one of the most difficult to portray accurately. What works are the characters who smart, fresh, and perfectly cast.

-Walter Tyrone Howard-

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Love and Monsters (2020, Directed by Michael Matthews) English 7

Starring Dylan O’Brien, Jessica Henwick, Michael Rooker, Dan Ewing, Ellen Hollman, Bruce Spence, Ariana Greenblatt

Review] Delightful Monster Mash 'Love and Monsters' Embraces the  Comedy-Horror Spirit of 'Zombieland' - Bloody Disgusting

(7-Very Good Film)

Fantastic. Exciting. Fun.

Joel: Don’t settle. You don’t have to. Even at the end of the world.

Toxic chemicals cover the earth and monsters are born. Now, your garden-variety slug could be a giant flesh-eating mutant. Seven years into this new world, the good news for Joel (O’Brien) is that he’s more or less safe within an underground community that takes care of each other. The bad news for Joel is that everyone within the bunker is paired off, except for him. He’s lonely and he misses his girlfriend, Aimee (Henwick), from before the apocalypse, who told him she loved him as they were dragged away from each other. After, finally, finding out her location, Joel sets out on journey across the monsterpocalypse to make it to her, meeting new friends along the way. Love and Monsters is a simple story done surprisingly well. The monsters, in particular, are a major triumph; well-designed and rendered with impressive special effects. Characters usually take a back seat in monster movies, but here, there are at least 2 to 3 humans we care about. The disappointment comes from the love story, which the filmmakers described as a John Hughes style romance. Love and Monsters goes for a bittersweet conclusion and that’s probably less corny and more realistic than what I might have hoped. I still think in a movie featuring massive toads and leeches the size of baseballs, an unrealistic fairy tale romance wouldn’t have seemed too crazy.

-Walter Tyrone Howard-

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Cars (2006, Directed by John Lasseter) English 7

Voices of Owen Wilson, Paul Newman, Bonnie Hunt, Larry the Cable Guy, Cheech Marin, George Carlin, Jenifer Lewis, Michael Keaton, Paul Dooley, Tony Shalhoub, John Ratzenberger, Katherine Helmond, Jeremy Piven, Richard Kind, Edie McClurg

Lightning McQueen (Cars) #ESTP | Cars 2006, Cars movie, Cars 3 lightning  mcqueen

(7-Very Good Film)

Entertaining. Skilled. Derivative.

Lightning McQueen: Float like a Cadillac, sting like a Beemer.

I know that this is an animated picture, but the world of Cars does not hold up in the slightest. It makes no sense. If they need gas to move, how did the first cars (the Adam and Eve, if you will) start moving? Where did they get the gas? These questions bothered me more this time around most likely because this was my first time watching the film as an adult. It’s also my first time watching Cars after seeing the superior Doc Hollywood, which Cars clearly ripped off. All this aside, I still rather enjoy this movie. It follows Lightning McQueen (Wilson), a hot shot race car, on the way to his big race. After an accident, he finds himself stuck in a small town surrounded by local characters. Eventually though, they win him over and teach him that racing and winning isn’t everything. The animation is exciting and the characters are well-drawn, but Pixar really should have given proper credit to Doc Hollywood for this one.

-Walter Tyrone Howard-

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The Seven Year Itch (1955, Directed by Billy Wilder) English 5

Starring Tom Ewell, Marilyn Monroe, Evelyn Keyes, Sonny Tufts, Robert Strauss, Oscar Homolka, Victor Moore

AoM: Movies et al.: The Seven Year Itch (1955)

(5-Okay Film)

Toothless. Light. Shackled.

Dr. Brubaker: When something itches my dear sir, the natural tendency is to scratch.

The Seven Year Itch, as iconic as it is, or rather, as iconic as Marilyn Monroe is in it, doesn’t work. Based on a hit play, Tom Ewell reprises his stage role as Richard Sherman, a married man left alone for the summer to deal with the temptations of the girl upstairs. The Girl, as she’s called in the credits, though nameless, is said in the film to look a lot like Marilyn Monroe, and that’s because she’s played by the young star in one of her most memorable roles. She shimmies through Sherman’s apartment and the film in her bimbo with a heart of gold persona, all but stealing the entire show. Directed by the great Billy Wilder, I’d say this is his weakest effort made during his prime. The problem is that The Seven Year Itch was made during the 1950s, meaning, as I watch it, I know that the main character is not going to actually have an affair. He can’t. It wasn’t allowed back then. This takes all of the bite out of the satire and all of the sex out of this sex comedy. It’s not about being vulgar. A film like this needs to be free to go off in any direction and cross lines. As it stands, Wilder tries everything within decency, but being held back from going to some indecent places, The Seven Year Itch becomes just an hours long tease. Fortunately, he’d have the opportunity to handle affairs more interestingly with The Apartment and Avanti!

-Walter Tyrone Howard-

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Scoob! (2020, Directed by Tony Cervone) English 5

Voices of Frank Welker, Will Forte, Mark Wahlberg, Jason Isaacs, Gina Rodriguez, Zac Efron, Amanda Seyfried, Kiersey Clemons, Ken Jeong, Tracy Morgan, Billy West, Henry Winkler, Simon Cowell

scoob! 이미지 검색결과

(5-Okay Film)

Bright. Reworked. Inferior.

Young Shaggy: We’ll go in the Haunted House this one time. But we’re not going to make a habit of this, right, Scoob?

Scooby Doo, as I knew it, was a gang of young people-Fred, Daphne, Velma, Shaggy, and their dog, Scooby- traveling from place to place in a van, solving mysteries. Velma did most of the sleuthing, Fred played leader, Daphne provided the Scooby snacks, Shaggy and Scooby ate the food. That formula was classic. Consider that the show started in 1969, and thirty years later, kids, such as myself, were still watching and loving it. But now, here we are, fifty years later, and apparently Scooby Doo needs a makeover. Scoob! is a big budget animated picture meant to be the first of Warner Bros.’ planned Hanna-Barbera shared-universe. Out go the haunted houses, the whodunit mysteries, and the unmaskings. In come superheroes and meta humor. Scooby and co. team up with Blue Falcon, Dynomutt, and co. to take down Dick Dastardly. I suspect its target audience will enjoy this stuff. The animation is bright and there’s enough humor and action to keep the movie engaging. I was mostly uninterested. Old Scooby Doo fans like myself are likely to be disappointed.

-Walter Tyrone Howard-

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Ninotchka (1939, Directed by Ernst Lubitsch) English 9

Starring Greta Garbo, Melvyn Douglas, Ina Claire, Sig Ruman, Felix Bressart, Bela Lugosi, Alexander Granach

Ninotchka | Best Movies of All Time | TIME.com

(9-Great Film)

Romantic. Sly. Iconic.

Ninotchka: Must you flirt?

Leon: Well, I don’t have to, but I find it natural.

Ninotchka: Suppress it.

Three amiable, easily manipulated Soviet agents arrive in Paris during the days following the Russian Revolution. Sent to sell valuable jewelry confiscated from the ousted nobility, they’re quickly thwarted by a wily lawyer, Leon (Douglas). The trio are then sent help in the form of Nina Ivanovna Yakushova, or Ninotchka (Garbo), a tough-as-nails, Soviet patriot to help fight the case. Not nearly as impressed by Paris as her comrades, it’s meeting Leon and falling for him that slowly causes some of the ice to thaw. Ninotchka is my favorite Garbo picture. It’s one of those classic Hollywood films that bring me great joy to watch. Romantic and funny as romantic-comedies naturally should be but rarely are, it’s also a rather clever and early satire on the bleak state of Soviet Russia.

-Walter Tyrone Howard-

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It Happened on 5th Avenue (1947, Directed by Roy Del Ruth) English 8

Starring Victor Moore, Charlie Ruggles, Don Defore, Ann Harding, Gale Storm, Edward Brophy, Alan Hale Jr.

Top Holiday Picks: It Happened on 5th Avenue

(8-Exceptional Film)

Wonderful. Charming. Classic.

Aloysius T. McKeever: And I would like to feel that you’re all my friends. For to be without friends is a serious form of poverty.

Wise words from Mr. McKeever (Moore), a wanton leech and scoundrel. He wanders through life, sneaking in and out of mansions while their owners are away on vacation. This Christmas season, he’s staying in the home of Michael J. O’Conner (Ruggles), the second richest man on Earth. Gradually, other people join Mr. McKeever in the house: principled Jim Bullock (Defore), O’Connor’s daughter, Trudy (Storm), who’s fallen for Jim, Mr. O’Connor himself, as a favor to his daughter, and Mary (Harding), O’Connor’s estranged wife. This is a really wonderful movie that takes its zany, promising setup in a number of surprising directions. Victor Moore is called on to be both comedic scoundrel and Christmas angel all at once. He achieves this effortlessly. Though light on actual Christmas content, It Happened on 5th Avenue is still regularly described as a Christmas classic. Really, it’s a comedy for all seasons.

-Walter Tyrone Howard-

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Godmothered (2020, Directed by Sharon Maguire) English 6

Starring Isla Fisher, Jillian Bell, Jane Curtin, June Squibb, Mary Elizabeth Ellis, Santiago Cabrera, Stephnie Weir, Utkarsh Ambudkar

Godmothered Trailer Looks Like A Spiritual Successor To Enchanted

(6-Good Film)

Pleasant. Amusing. Satisfying.

Tagline: Be careful who you wish for.

Inspired (quite conspicuously) by Disney’s earlier hit, Enchanted, and Will Ferrell’s Elf, Godmothered attempts to put a similarly modern touch on the classic Princess fairy tale formula. Jillian Bell plays Eleanor, a fairy godmother-in-training. Belief in magic has greatly diminished in recent years and the fairy godmothers aren’t doing too well. They’re running out of business and appear destined to close shop and restart as tooth fairies. Eleanor runs away on a last ditch effort to save fairy godmothers by helping a widowed mother, Mackenzie (Fisher), find her happily-ever-after. Godmothered has a solid foundation of sweetness and goodwill to carry it along. The cast is full of charming people. It’s a lovely, colorful film, but it’s light on laughs and fairly conventional even with its modern touches and ideas on relationships (again, because it’s so much like Elf). Ultimately, though, this is a nice movie and an enjoyable one.

-Walter Tyrone Howard-

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