Dinosaur (2000, Directed by Ralph Zondag and Eric Leighton) English 6

Voices of D.B Sweeney, Julianna Margulies, Ossie Davis, Alfre Woodard, Joan Plowright, Della Reese

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(6-Good Film)

Compelling. Minor. Aged.

A meteor crashing down causes all types of displaced dinosaurs to band together in order to find a new home. Aladar, an Iguanodon raised by Lemurs, does his best to help the weaker ones make it as the brutish leader, Kron, practices survival of the fittest. The plot is very simple (some might even say thin), but I find it enjoyable. The characters are strongly defined and the voice work is excellent. Known mostly as a technical marvel when first released, the special effects have naturally aged, but well enough. It’s minor-league Disney but still very enjoyable.

-Walter Tyrone Howard-


Ratatouille (2007, Directed by Brad Bird) English 9

Voices of Patton Oswalt, Brad Garrett, Peter O’Toole, Janeane Garofalo, Brian Dennehy, Ian Holm, Will Arnett, Lou Romano

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(9-Great Film)

Unique. Sophisticated. Intelligent.

A rat living in the French country dreams of being a great Parisian chef. What a dumb idea, or else, that’s what I would have said if presented with this idea on paper. The resultant film, however, brought to life with some of Pixar’s finest animation, writing, and voice acting, is a triumph. Remy (Oswalt), the rat with grand ideas, gets his chance in a Parisian kitchen but needs the help of a garbage boy,  Linguini (Romano), to act as a sort of puppet for the operation, seeing as rats aren’t well-received in kitchens. The first step in making this odd story work is the design of Remy and all the rats. Nobody hates rats more than me, but Pixar successfully makes them cute. Secondly, they establish Remy as hygienic. It seems silly but it’s an important part of helping accept him as a chef.  After that, disbelief suspended, Ratatouille is one of the most enjoyable films, animated or otherwise, of the past 15 years.

-Walter Tyrone Howard-


Turbo (2013, Directed by David Soren) English 4

Voices of Ryan Reynolds, Paul Giamatti, Maya Rudolph, Richard Jenkins, Snoop Dogg, Bill Hader, Chris Parnell, Samuel L. Jackson, Michelle Rodriguez

(4-Bad Film)

Rip-off. Inferior. Unfunny.

Turbo (Reynolds) is a snail that dreams of racing in the Indianapolis 500. Seemingly impossible, a miracle leaves him blessed with super speed and gives him the opportunity he’s always wanted. This weaker effort from DreamWorks animation feels like a blatant rip-off of Pixar’s fantastic Ratatouille. What the antithesis of a gourmet chef and fine dining? Rats. What seems like the antithesis of speed? Snails. Their family tells them it will never happen. A human befriends them and helps them achieve their dreams. It’s a completely unnecessary if not downright terrible movie.

-Walter Tyrone Howard-


Finding Dory (2016, Directed by Andrew Stanton) English 6

Voices of Ellen DeGeneres,  Albert Brooks, Ed O’Neill, Diane Keaton, Eugene Levy, Idris Elba, Dominic West, Sigourney Weaver, Kaitlin Olson, Ty Burrell

(6-Good Film)

Solid. Entertaining. Amusing.

Long awaited sequel to one of Pixar’s biggest hits, Finding Dory picks up basically where we left off in Finding Nemo. Dory’s (DeGeneres) become like family to Marlin (Brooks) and Nemo, but, spurred on by recurring dreams, she wants to find her parents, lost many years ago. This leads her to a sea life institute in California, and the film, thereon, becomes a series of wacky, endearing new characters. Hank, a short-tempered octopus, and two British, stingy sea lions (voiced by Elba and West) are especially memorable. Overall, the journey is much less epic or surprising-a symptom of being a sequel. That being said, it’s a fun hour and a half. The animation is still the best in the world. The new characters are great, and Dory is still a lot of laughs.

-Walter Tyrone Howard-


The Boy and the Beast (2016, Directed by Mamoru Hosoda) Japanese 8

Voices of John Swasey, Eric Vale, Ian Sinclair, Sean Hennigan, Bryn Apprill

(8-Exceptional Film)

Moving. Imaginative. Dazzling.

After the death of his single mother, a young boy named Ren wanders the city, and a chance encounter brings him to the Beast Kingdom. There, he becomes an apprentice to Kumatetsu, a strong but reckless bear-like man who wishes to succeed the Grandmaster as the Lord of Beast Kingdom. The two slowly develop a strong bond, and the film spans the length of Ren’s boyhood. Though lesser renowned than Studio Ghibli’s work, Hosoda has quickly formed an impressive filmography. The animation here is astounding, and the story is very moving.

-Walter Tyrone Howard-


The Incredibles (2004, Directed by Brad Bird) English 10

Voices of Craig T. Nelson, Holly Hunter, Samuel L. Jackson, Wallace Shawn, Jason Lee, Brad Bird


Clever. Exciting. Funny.

In an alternate reality where superheroes exist but are forced to remain dormant by law, Bob Parr (A.K.A Mr. Incredible), along with his wife and three kids, struggle with obscurity, unfulfilled potential, and the malaise of everyday life. Then comes along a mysterious woman with a cash offer and the promise of excitement. A fantastic take on the superhero genre, blending it in with the problems of a suburban sitcom family, executed splendidly with several priceless moments and an unforgettable scene stealer in Edna Mode (voiced by the director, Brad Bird).

-Walter Tyrone Howard-


Toy Story 4 (2019, Directed by Josh Cooley) English 7

Voices of Tom Hanks, Tim Allen, Annie Potts, Jordan Peele, Keegan-Michael Key, Christina Hendricks, Keanu Reeves, Bonnie Hunt, Tony Hale, Joan Cusack, Don Rickles, Wallace Shawn, Timothy Dalton, Jeff Garlin, Carol Burnett, Carl Reiner, Betty White, Mel Brooks, June Squibb, Kristen Schaal, Jay Hernandez, Carl Weathers

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(7-Very Good Film)

Emotional. Moving. Unnecessary.

Is it possible to see a fantastic movie and still feel let down? The answer is yes because with their Toy Story films, Pixar has crafted a multigenerational, timeless, poignant series that can seem personal to a countless number of people. Toy Story is personal to me. The first one is the earliest film I remember seeing in theaters. The second, I recall, playing hooky from school to see it with my family, and the third aligned perfectly with my own graduation from high school and my summer preparing to leave for college (as Andy does in the movie). More importantly, though, the first three Toy Storys are great. Toy Story 4 is not.

The story opens looping back to when Woody (Hanks) and the gang belonged to Andy. RC, one of the toys we learned from Toy Story 3 had moved on to another home and a new child, is stuck in some mud and Woody launches a rescue mission. A suspenseful but familiar scene ensues, then shifts dramatically and emotionally to reveal what became of Bo Peep (Potts). If you recall, like RC, Bo Peep is missing from Toy Story 3. Here, we see, she’s taken to a new home but before she’s packed into her new owner’s car, she asks Woody at her side to come with her. Faced with a painful decision, he chooses loyalty to his kid, Andy. This is a tremendous opening scene. These movies deal with heavy, human themes which is what makes them so endearing-insecurity, loyalty, the passing of time most notably-and now, in Toy Story 4, life choices and regret. Also, from the opening frames, Toy Story 4 shows off absolutely stunning animation. Pixar demonstrated in their short film, The Blue Umbrella what photorealistic animation could look like and they transfer it here beautifully. Look at the grass and the rain in the background.

After the opening scene, Toy Story 4 dips a bit. Woody’s not being played with. He’s dealing with the reality that he’s not Andy’s toy anymore and he’s not Bonnie’s favorite. To fight back his feelings of lacking purpose, Woody devotes himself to protecting Forky (Hale), a spork-toy Bonnie makes in her school orientation that she’s in love with. Forky, having an identity crisis, just wants to go in the trash. When Bonnie and her family leave for a road trip bringing all her toys along with her, protecting Forky becomes an adventure.  Woody’s moments attempting to persuade Forky of his value to Bonnie are well-performed by the actors but a drag overall. It makes the first act seem interminable. Eventually, another adventure for Woody does begin and a host of new characters are introduced. Key and Peele as Plush toys are my favorite new additions. Along the way, Woody meets back up with Bo Peep, who’s more adventurous and self-reliant than she showed in Toy Story 1 and 2. Her scenes with Woody are sweet and engaging and lead to an affecting ending, but here’s my issue. Bo Peep is not a great character in 1 or 2. She’s an afterthought. So what’s wrong with developing her for this new film? It feels forced. In 1 and 2, she’s completely meek and largely does nothing while the action happens all around her.  She stands in a corner while her beau, Woody, is thrown from a moving van by Mr. Potato Head and the others. Now, all of a sudden, she’s Indiana Jones. Movies, for whatever reason, aren’t like TV where you can rewrite characters and we’ll pretend like we don’t remember previous seasons. I think they broke with the integrity of certain characters to tell this story or perhaps to appease parties unknown.

Here’s a deeper issue: notice how I haven’t mentioned Buzz yet? He’s the afterthought in this one. Sure, Woody is the main character. That’s fine, but they have always shared the posters. Buzz and Woody’s friendship is one of the best in film history.  Toy Story 4 gives the iconic Buzz Lightyear very little to do and it dilutes what should be a more impactful final scene. As for the rest of the Toy Story gang, they are basically M.I.A; Jessie, Bullseye, Mr. Potato Head, Hamm, Rex, etc. They are nearly out of the entire picture. That’s so disappointing.

Finally, Toy Story 4 suffers slightly from not having a compelling villain. Gabby Gabby (Hendricks) pushes the plot forward, but she offers nothing new. She’s an abandoned toy that just wants to be played with. Remind you of Stinky Pete and Lotso? Me too.

If it seems like I’ve done a lot of complaining about a film I’m giving a positive score, remember that the first three are all 10s in my book. Trilogies have been the standard for great franchises for decades. If done properly, it’s the most satisfying summation of a story and you don’t want to run on too long. Consider where the last Toy Story left off. Andy, nearing adulthood says goodbye to all these toys (these wonderful characters), and it is the end of an era and the end of a beloved franchise (or so I thought). Here is Toy Story 4. Fortunately, this isn’t a case of overstaying its welcome and it’s not awkward like when you say goodbye but then see that person again a moment later. Toy Story 4 is like an aging athlete who has a perfect swan song of a season but decides to play for one more. Why? Toy Story 3 ends perfectly. Toy Story 4 ends well. And please let this be the end. Don’t milk Toy Story like its Ice Age.

-Walter Tyrone Howard-