Starring Michael Brandon, Mimsy Farmer, Bud Spencer, Jean-Pierre Marielle, Oreste Lionello, Aldo Bufi Landi
The leader of a Rock and Roll band, Roberto (Brandon), angrily confronts a stalker one night and accidentally kills the man. When a psychotic, masked witness to the scene shows up to torment him, Roberto’s sure he’s been set up but to prove it, he’ll have to discover the identity of his tormentor. Within the broad strokes of this film is some of what would later prove to be greatness in its director, Dario Argento. He’s masterful at using setting and space to set the scene. The way he moves the camera is beautiful. Logic, character motivation, and acting don’t seem to matter to him. Four Flies on Grey Velvet, one of his earlier works, fails to scare up any excitement or intrigue mainly because the lead character is so bland and the two interesting characters, played by Mimsy Farmer and Jean-Pierre Marielle, drift in and out of the picture so indiscriminately. The killer’s mask becomes the star. The final result is a weak picture with some redeeming qualities.
-Walter Tyrone Howard