Starring Tom Cruise, Nicole Kidman, Sydney Pollack, Todd Field, Marie Richardson, Sky Du Mont, Vinessa Shaw, Alan Cumming, Leelee Sobieski, Thomas Gibson, Rade Šerbedžija

Stanley Kubrick's hard out with "Eyes Wide Shut" | Yardbarker

(9-Great Film)

Cold. Seductive. Suspenseful.

Victor Ziegler: Listen, Bill. Nobody killed anybody. Someone died. It happens all the time. Life goes on. It always does, until it doesn’t. But you know that, don’t you?

Working through random reviews on the internet, I laughed at one viewer’s comment that Eyes Wide Shut has meaning, it’s just hard to find. I suppose that’s a positive critique. I, on the other hand, do not find Eyes Wide Shut especially deep or thoughtful; in the same way that I don’t find dreams very meaningful. Eyes Wide Shut is dream-logic stretched over 2 1/2 hours. Every woman is attractive, and around every corner seems to be the promise of sex or nightmare. Tom Cruise plays Dr. Bill Hartford. Handsome, wealthy, successful, Bill is surrounded by temptation; every woman in his life is available to him. When his wife, Alice (Kidman), admits to lusting after another man, Bill wanders out into the night seeking retribution or maybe just feeling free for the first time to do what he wants. He meets a handful of strange people throughout the night, ultimately ending up at the film’s infamous, mysterious orgy party for the elite where each party guest wears Venetian masks. Eyes Wide Shut is a great film, again, not because it’s brilliant but because it appeals to my sensibilities. I love the night, I love mystery, I love Murakami, missing women, shadows, cloak and dagger, etc. Eyes Wide Shut is a suspenseful film without being very tense. It’s almost entirely about anticipation; with muted pay-off. That’s also like a dream. Pursuit without reward, suspense without consequences (for the main character). There’s very little point in asking logical questions.

-Walter Tyrone Howard-


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