Voices of Mary Costa, Bill Shirley, Eleanor Audley, Bill Thompson, Verna Felton, Barbara Luddy, Barbara Jo Allen

How Disney's Sleeping Beauty (1959) Solidified Animation as an Art Form

(5-Okay Film)

Bland. Superficial. Humorless.

Princess Aurora: Well, I’m really not supposed to speak to strangers, but we’ve met before.

Sleeping Beauty, the movie and the character, is beautiful and not much else. I’ve maintained for many years now that this is the worst official Disney animated feature. It follows the dark, fantastic tale of Princess Aurora, cursed at birth by a bitter fairy, Maleficent, her parents send her away with a trio of kind fairies to protect and hide her until the day she’s old enough to marry. One day, in the woods, she meets and falls for a handsome stranger, only to learn later that she’s already promised to a prince. Not knowing that the prince and the stranger are one and the same, Princess Aurora is heartbroken and lured to Maleficent. The problem in my eyes with Aurora applies really to all the Disney princesses before their Renaissance. She’s boring. She has very little personality and her driving characteristic is her sweetness and innocence. That was okay with Cinderella and Snow White, because they had an outstanding supporting cast of humorous characters. Snow White had the dwarves and Cinderella had the mice. Sleeping Beauty has an incredible villain in Maleficent (though she has little screen time) and several nice characters in the good fairies and the blustering father figures. There are no charismatic characters, little-to-no humor, and only one song.

-Walter Tyrone Howard-

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