Starring Charlton Heston, Sophia Loren, Herbert Lom, Raf Vallone, Jon Fraser, Geneviève Page, Douglas Wilmer
(7-Very Good Film)
Grand. Bombastic. Earnest.
El Cid: You will soon be a King, you must start to think like one, any man can kill, only a King can give life!
Is it possible for a film to be bombastic and earnest? To feel that every single detail was done for effect, but by craftsman and artists who held this man, El Cid, Don Rodrigo Díaz de Vivar (Heston), in reverence. After all, some stories do warrant the epic treatment and his story is certainly one of them. During the 11th century, at a time when Spain was divided in war between the Moors (Muslim) and the Christians, El Cid united the country in order to protect it from North African invaders led by Ben Yusuf (Lom). All while personally struggling with the disdain of his wife, Doña Jimena (Loren), whose father he killed, at home. El Cid is dated in several ways, not all of them negative. On the one hand, the cast of Spaniard and Muslim characters is largely filled out by white actors (sometimes in blackface makeup as with Ben Yusuf). On the other hand, a film of this size and scope is a marvel to behold and one that simply will not likely ever be made again; not by Hollywood anyways. There are thousands of extras used and massive sets to admire. CGI is a tool for filmmakers to work with and a useful one, but there are two areas where it simply fails to measure up to the real thing: animals and crowds of people. Some might argue that El Cid is overly serious or even corny at times, but this is a real person and his real story. I was prepared to take it seriously.
-Walter Tyrone Howard-