Starring Humphrey Bogart, Gloria Grahame, Frank Lovejoy, Jeff Donnell, Martha Stewart, Steven Geray
Brusque. Neurotic. Fierce.
Dixon Steele: I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me.
Film director, Nicholas Ray, had his own style of Hollywood melodrama. His best known movies- Rebel Without a Cause, Bigger Than Life, and In a Lonely Place-feature characters whose struggles are psychological more than anything else. The conflict is inside, which gives the films weight and drama worthy of Greek tragedy. Wasn’t it the tragic hero that is ultimately doomed by his own weaknesses? If so, Dixon Steele (Bogart) is such a character. An intelligent man with wealth, charisma, and some influence in the Hollywood film industry where he works as a scriptwriter, Steele is attractive to any number of women. He falls for his neighbor, Laurel Gray (Grahame), who reciprocates. When he becomes the lead suspect in a grisly murder of a young secretary, she believes his sardonic assurance that he had nothing to do with it. Eventually, and all-too-frequently, his violent temper pops up, leading her to question her faith in him. In a Lonely Place is a classic noir, efficiently told and paced, beautifully acted and directed from an eloquent, razor-sharp script.
-Walter Tyrone Howard-