Starring Michael Douglas, Sean Penn, Deborah Kara Unger, James Rebhorn, Carroll Baker, Peter Donat, Armin Mueller-Stahl
Intriguing. Adept. Preposterous.
Daniel Schorr: Discovering the object of the game *is* the object of the game.
The Game follows Nicholas Van Orton (Douglas), a big-time businessman that seems to value money over the people in his life. He’s approaching his 48th birthday (his father’s age when he killed himself) and his ne’er-do-well brother, Conrad (Penn), shows up with a surprise gift; an elaborate and mysterious set of experiences known simply as “The Game.” It doesn’t take long for it to get out of hand. David Fincher, in his own assessment, lamented this film’s final act. They never did figure it out and it doesn’t really work. What does work is The Game’s first 2 acts; suspenseful, gripping, atmospheric, handsome, and well-acted. Douglas made a long, successful career largely built on roles like this one; the ice-cold, intelligent man in power. Fincher proves to be a modern master of suspense. Both men are in their element.
-Walter Tyrone Howard-