Starring Marlon Brando, Jean Simmons, Frank Sinatra, Viviane Blaine, Stubby Kaye, Robert Keith, B.S Pully
(7-Very Good Film)
Snappy. Colorful. Brash.
Sky Masterson: I am not putting the knock on dolls. It’s just that they are something to have around only when they come in handy… like cough drops.
The good girl falling for the bad guy and then vice versa isn’t a unique concept. It wasn’t a unique concept in 1955 when this film was made, or in 1950 when Guys and Dolls premiered as a Broadway musical. I doubt it was a unique concept in the 1930s when Damon Runyan wrote a pair of short stories that inspired the show. The point is “good girl and bad guy” seems to be an endless source of escapism and, perhaps, wish fulfillment. Guys and Dolls has a lot of fun with it. Sky Masterson (Brando) is a big-time gambler. His newest wager is that he can woo any girl- of Nathan Detroit’s choosing-to go to Havana, Cuba with him. Detroit (Sinatra), a fellow gambler in need of $1,000 quick, chooses prim, proper Sister Sarah Brown (Simmons), a local missionary, to win his bet for him. Sinatra is a natural in his part, turning every song he sings into a great one, and there are great songs all around. Brando is less natural in his role, mainly because of the singing that’s required, but the film doesn’t lose any points from me on that score. Brando is a movie star for the ages; one of the best. Seeing him in a role so far afield his usual dramatic fare is a pleasure, and I feel he and Jean Simmons do work in their roles. The dialogue is as fine as the music.
-Walter Tyrone Howard-