Starring Christopher Lambert, Sean Connery, Virginia Madsen, Michael Ironside, John C. McGinley, Allan Rich
Incomprehensible. Hack. Laughable.
MacLeod: There can be only one.
I’m not a fan of the original Highlander, though the cult classic has a cool concept. MacLeod (Lambert), a 16th-century Scottish warrior, is immortal, fighting his arch-nemesis, The Kurgan, and romancing women through the centuries. Highlander II brings back its stars, even Sean Connery inexplicably (he died in the first one), and shoves them into a science fiction plot involving Ozones, immortal aliens, and a dystopian future. These things may sound cool and maybe that was the problem. I imagine that in the brainstorming stage for whoever wrote this, every idea seemed like a good idea, and no one ever cared to do any editing. Highlander 2 makes no sense. I’m confident about this. It’s not that I didn’t pay attention or that I didn’t get it, it’s that this film makes no sense. I couldn’t tell you with any certainty the motivation behind why anything happens. I don’t know how MacLeod and Virginia Madsen’s characters fall in love after knowing each other for two minutes. There are a couple of sequences that I can enjoy individually apart from the movie and without any context-because, again, I don’t know what is going on. I mainly didn’t like the first one because of Christopher Lambert’s performance. He’s even worse here. He’s a charisma vacuum-at least in English. I’m sure he’s better in his native language, but his nonexistent Scottish accent never gets mentioned when people discuss all-time bad movie accents and it should.
-Walter Tyrone Howard-