Starring Paula Beer, Pierre Niney, Ernst Stötzner, Marie Gruber
In the aftermath of World War I, a young German girl, Anna, mourns the loss of her fiancée, Frantz, when, one day, she notices a mysterious Frenchman visiting her beloved’s grave. “Who is he?” Anna wonders, as he begins spending time with her and Frantz’ family, and as she slowly begins to fall for him. At its core, the film is a fairly simple story, but it’s strengthened by themes of forgiveness, xenophobia, truth versus lies, and illicit romance. Plus, Ozon’s direction gives the film the suspense and tension of a classic Hitchcock. Switching between black/white and color, I believe to signify times of mourning versus times of moving past the war (a sense of closure), Frantz is an excellent foreign drama, though I can’t shake my disappointment with the resolution, despite it probably being the right ending for the film.