Its reputation as a benchmark of the experimental film movement seems to me an indictment of the genre. How it was included in the otherwise sterling catalogue that is Steven Jay Schneider’s 1001 Movies You Must See Before You Die list, I have no idea. It’s indescribable, which I know, sounds like a compliment, but not when linked with incomprehensible, uninteresting, and ugly, as it must be when discussing this affront to its viewers’ time management skills.

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